The Futures Archive S2E6: the Bug Zapper > 자유게시판

Note: Zap Zone Defender System This episode addresses subjects particularly sensitive in gentle of this week’s faculty taking pictures in Texas. While Design Observer has by no means shied away from troublesome conversations, the editors acknowledge that this content material could also be difficult for some listeners. Content Warning: Violence, killing, and loss of life are discussed on this episode. It could be arduous to find someone who wants to share house with a mosquito. Hence, the creation of the bug zapper. But as designers, how do we address what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t always replicate humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There is a necessity for humans to exert their authority, however there can also be a need for us to exert our love. The thing that I hope we hold area for is: That is all follow because it’s not going to be resolved, and it shouldn’t be.

That might create some form of stagnancy. Life is actually about holding house for dynamism, modifications and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy primarily based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They're the founding father of FLOX Studio, a group design and technique studio. David MacNeal is a author and the author of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an associate professor of psychology at California State University in Fresno and co-author of "Killing Begets Killing: Evidence From a Bug-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an writer, architect, and the Senior Curator within the Department of Architecture and Design on the Museum of Modern Art, as well as MoMA’s founding director of Research and Development.

Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for every episode. A big because of this season’s sponsor, Automattic. Hi, everyone, that is Lee. Every week is slightly totally different on this present. And this week, while we’re still talking about design, we’re going to be speaking about some pretty serious points. And so I need to verify that everyone who’s listening is conscious of that is in a great place when they’re listening. And i encourage you to test our present notes prior to listening to the episode so you perceive the context of what we’re talking about and prepare ourselves a bit. Beyond that, I welcome you to the dialog and i hope you find this conversation as powerful as it was for us. And Zap Zone Defender System i thanks for listening. Welcome to The Futures Archive, a show about human centered design where this season, we’ll take an object, search for the human at the center and keep asking questions.

… and I am Sloan Leo. On every episode we’re going to start out with an object with power. Today the object is the bug zapper. We’ll look at the historical past of that object from our perspective, as designers who’ve performed work in human centered design. Not just how it seems to be and feels and sounds and smells, but additionally the connection between that object and the individuals it was designed for… … and with other people too. The Futures Archive is delivered to you by the design crew at Automattic. Later on, Zap Zone Defender we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s great to see you once more. Thanks for becoming a member of us. Lee, it's a thrill to be right here. So I’m questioning-for this particular episode, I’m wondering if you might tell me a little bit bit about your history as a child with bugs and insects. Where you this kind of like, like child that like liked the creepy crawly stuff?