When Design Heritage Reached Westminster > 자유게시판

The Commons is rarely a forum for top-rated neon signs craft. Tax and trade dominate the agenda. One late night in Westminster, the glow of signage took centre stage. Yasmin Qureshi, Labour MP for Bolton South and Walkden, brought heritage into the chamber. Her message was clear: hand-bent glass filled with noble gas is artistry. She warned against plastic imitations, noting they erase tradition. If it is not glass and gas, it is not neon. Another Labour voice joined, speaking of local artists.

Cross-party nodding followed. Statistics gave weight to the passion. From hundreds, the number has fallen to a few dozen. No new entrants are learning. Without action, a century-old craft may die. The Commons considered safeguarding, like Cornish pasties. Preserve authenticity. Support also came from Jim Shannon, DUP, pointing to industry growth. Neon remains a growth sector. His point: this is not nostalgia but business. The final word fell to Chris Bryant. He allowed himself puns, lightening the mood.

Yet beneath the levity, he admitted neon’s value. He listed Britain’s neon landmarks: Piccadilly Circus billboards. He suggested neon is unfairly judged on eco terms. Where lies the problem? The issue is clarity. LED products are marketed as neon. That threatens heritage. Comparable to food and textile protections. If Scotch must come from Scotland, then craft deserves recognition. This was about identity. Do we allow heritage skills to disappear?

Our position is clear: glass and gas still matter. The Commons was illuminated. The Act is still to come. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Look past cheap imitations. Choose neon.

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