Display Memories (Album) > 자유게시판

The album was his first set of newly-recorded music since We Should Change into the Pitiless Censors of Ourselves (2011). Recorded in two years at his Austin, Minnesota residence, most of its subject material concerns apocalyptic themes impressed by the newsfeed of world events he garnered while making the LP. A few of its music structures and melodies were created with the aid of an artificial neural network. The album acquired usually favorable opinions from critics, and was honored on quite a few year-finish lists by publications resembling Uncut, The Wire, Reality, and Clash magazine. Commercially, the album peaked quantity 14 on Billboard's American Heatseekers Albums chart. Music videos had been created for its three singles ("The Mix", "Teenage Witch", and "Touchdown"). Artwork was designed by Lia Sued Cabral. It features a typeface called Shatter, designed by Vic Carless. After the favorable response to Maus' previous studio album We Must Turn into the Pitiless Censors of Ourselves (2011)-which was unprecedented for Memory Wave Program him-he grew to become extra broadly accepted as an outsider artist.

He didn't launch any new music for the following six years. Two years had been dedicated to finishing his dissertation, whereas one other two were spent learning how to build modular synthesizers. His 338-web page thesis "Communication and Control", which discussed the affect of technology on social management, was completed and submitted in 2014, and he was thereby awarded his PhD in political science from the College of Hawaii. Throughout Maus' absence, numerous contingents of common music started indulging in throwbacks to 1980s culture. I feel largely the small print that I’m most focused on are precisely the kind which can be going to be misplaced on most people. Maus wrote and produced virtually all of Screen Reminiscences by himself in his Austin, Minnesota home studio, nicknamed the "Funny Farm". All the devices Maus used for the album were manufactured by himself. The album builds upon the 1980s-impressed lo-fi of his earlier albums. What I did was train a neural network on a bunch of harmonic sequences and then saw what it spit again out to me.

I additionally messed around with Markov chains by feeding them 1000's and hundreds of chants. I messed round with a easy course of the place you're taking an integer sequence and let the numbers one-by-six designate the dimensions degree of a mode and then I added the extra thing of collapsing every consecutive, each I-iii-V I-IV-V triad into it. I put in place. The chaos just sort of shook the little machine that I made. I never heard the chaos as such, but I noticed the otherwise invisible frame that I made being shook by the integer sequence. Screen Reminiscences was accomplished shortly earlier than the November 2016 US presidential election. He had planned for the music to be guitar-oriented, however he "may never get it to work." Finally, the album's only guitar-heavy songs have been "Discover Out" and "Bombs Away". The latter is the only monitor on the album that he did not write alone; it's a cover of a tune by Holy Shit, a duo that previously consisted of Ariel Pink and Matt Fishbeck.

Screen Memories is named after the Freudian concept of screen recollections, which refers to a distorted Memory Wave Program from childhood. In keeping with critic Gabriela Tully Claymore, Screen Memories reflects a extra "foreboding" tone than Maus' past data. Maus didn't interact in much social interplay whereas creating the album, and he solely realized about the dark international political local weather via newsfeeds. The lyrics options references to features of fashionable culture resembling Jean-Luc Picard and Masters of the Universe. In June 2017, Maus introduced a summer time tour, which turned his first public performances since 2012, and prompt that new music could be released quickly. It was his first solo tour with a live band, featuring his brother Joseph Maus on bass, Minneapolis musician Luke Darger on keyboards, and Jonathan Thompson on drums. That same day, the LP's lead single, "The Combine," and its Tina Rivera-directed music video, "a lo-fi, psychedelic imaginative and prescient of farmlands being harvested" as Stereogum summarized, was released. On October 12, the music video and single for "Teenage Witch" premiered.