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작성자 Neil 댓글 0건 조회 18회 작성일 25-04-29 00:16본문
Chanter is just not concerned to display the invalidity of Irigaray’s or Butler’s readings of the Sophoclean text, however to show how these readings are nevertheless complicit with another kind of oppression - and stay blind to problems with slavery and of race. Chanter convincingly reveals that the language of slavery - doulos (a household slave) and douleuma (a ‘slave thing’) - is there in Sophocles’ textual content, regardless of its notable absence from many trendy translations, bbw sex adaptations and commentaries. Given that these themes have been translated out of most contemporary versions and adaptations of the play, Irigaray and Butler can hardly be blamed for this failure in their interpretations.
Chapters 3 and four include interpretations of two essential recent African performs that take up and rework Sophocles’ Antigone: Fémi Òsófisan’s Tègònni: An African Antigone (1999), which relocates the mythology of Antigone to colonial Nigeria, and The Island (1974), collectively authored and staged by Athol Fugard, John Kani and Winston Ntshona. If Chanter shouldn't be the first to take up these two ‘African Antigones’, what's distinctive about her approach is the way in which she sets the two plays in conversation with these traditions of Hegelian, continental and bbw sex feminist philosophy which have a lot contemporary purchase.
Mandela talks about how important it was to him to take on the a part of Creon, for whom ‘obligations to the folks take priority over loyalty to an individual’. Much of Chanter’s argument in the first chapters (and prolonged footnotes all through the text) is concerned with establishing that when Antigone insists on performing the right burial rites for the body of Polynices (son of Oedipus and brother to Antigone), in defiance of the orders of Creon (the king, and brother to her useless mom, Jocasta), half of what's at stake is the slave/citizen dichotomy.
She additionally reveals how the origins of Oedipus - uncovered as a baby on the hills close to Corinth, ebony sex and brought up by a shepherd exterior the town walls of Thebes, the place the whole action of the play is set - would have been rendered problematic for an Athenian audience, given the circumstances surrounding the first efficiency of Sophocles’ play (roughly ten years after endogamy was made a requirement for citizenship, and exogamous marriages outlawed by Pericles’ legislation). The Tragic Marginalization of Slavery has relevance additionally for actors and dramatists considering how best to stage, interpret, modernize or utterly rework Sophocles’ drama and, indeed, the entire Oedipus cycle of performs.
Chanter argues that Hegel unduly narrows the notion of the political - and, certainly, that of the tragic - by ignoring the thematics of slavery which might be current in Sophocles’ play. Arguing that chattel slavery gives one of the linchpins of the historical Greek polis, and hence additionally for the ideals of freedom, the household and the state that Hegel himself advocates, Chanter means that Hegel’s emphasis on the master-slave dialectic in the Phenomenology of Spirit (1807) ‘domesticates and tames the ugliness of slavery’, and hardcore sex needs to be understood in the context of the slave revolt in Haiti of 1803-05. A critique of Luce Irigaray, go to hell motherfucker Judith Butler and other feminist theorists who read Antigone in counter-Hegelian methods - but who however still neglect the thematics of race and slavery - can be key to the argument of the book as a whole.
On this framework it appears perfectly pure that freedom, as a aim of political motion, is privileged above equality, even when equality is understood, in Rancièrean terms, as a presupposition and not as an objective and quantifiable objective to be achieved. As soon as again, plurality should itself, as an idea, be break up between the different, however equal standing positions in an egalitarian political scene (i.e., different positions that depart from a common presupposition of the equal capability of all) and a pluralism that's merely transitive to the hierarchical order of various interests - pursuits that essentially persist after that event which inaugurates an emancipatory political sequence.
Such resistance is rooted in Breaugh’s unconditional defence of pluralism and his mistrust of any type of unity as a horizon for politics. In historical situations where the goal of political unity comes into conflict with the existence of political plurality, as for instance in the French Revolution, the risk to plebeian politics comes, for Breaugh, from the try to type a united topic who then constitutes a risk to the mandatory recognition of the divided character of the social. The lump sum of 5 thousand dollars was one factor, a miserable little twenty or twenty-five a month was quite one other; after which another person had the cash.
But that downside solely arises once we consider the possibility of adjusting from a social order resting on rising inequalities and oppression, to another hopefully extra only one. Lefort’s thought looms massive right here, since for him the division of the social is an unique ontological situation, whose acceptance is necessarily constitutive of every democratic politics, and not merely a sociological counting of the parts. The problem here may be that Breaugh takes the plurality of pursuits at face value, disregarding the best way such a plurality of political positions might in itself be grounded in the unjust division of the social.
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